Grimm - Season 5
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Season 5 is the fifth season of Grimm. Grimm was renewed for a fifth season on February 5, 2015, and the season was filmed in the Portland, Oregon area. Filming for season 5 began on July 7, 2015.
The fifth season of the NBC American supernatural drama series Grimm was announced on February 5, 2015. It premiered on October 30, 2015 and concluded on May 20, 2016.[1] The season consisted of 22 episodes.[2] The series was created by David Greenwalt, Jim Kouf and Stephen Carpenter, and produced by NBC, GK Productions, Hazy Mills Productions, and Universal Television. It follows a descendant of the Grimm line, Nick Burkhardt, as he deals with being a cop, and trying not to expose his secret as a Grimm.
Rodriguez returned as Chavez in the episode \"The Grimm Identity\", as she revealed on her instagram account.[4] In late August, Carlson Young was cast as Selina Golias, a character forced to hide the survivor of an attack that resulted in her boyfriend's death, resulting in Selina becoming the target of a Wesen \"Rat King\" who doesn't mind if she becomes collateral damage in a never-ending Wesen feud.[5] In early September, Madeline Brewer was cast as Billie Trump for episodes 6 and 7 of the season. Billie is a Skalengeck described as \"a fierce lieutenant in an up-and-coming Wesen street gang who is raising hell in Portland.\"[6] It was announced in November that Bailey Chase had been cast as Lucien Petrovich, \"the leader of a Wesen revolutionary group.\" The news was broken by Deadline.[7]
Show creators Jim Kouf and David Greenwalt had previously teased a big reveal to the four-and-a half-season-long storyline involving those damn keys, but they were still in no hurry to reveal their secrets.
After teasing the Keys and the lost-for-centuries mysterious treasure for four and a half seasons, Grimm decided to... hide the treasure behind some bricks. Yep. Instead of, you know, following up on this MASSIVE story arc.
Onto the Grimmiere, comrades, which arrives just in time to kick off the Halloween weekend! The action of Grimm Season 5 Episode 1 picks up right where last season's finale left off: Juliette dead on the floor, Kelly's head in the box, and Chavez's goons coming to kidnap Trubel. In other words, chaos.
\"The Grimm Identity\" has a tall order to clean up many dangling story arcs and whatnot from last season while introducing an ominous, if still frustratingly formless, new obstacles. Chavez and her people kidnapped Trubel, but it's really not clear why. Chavez warns Nick about \"them,\" but conveniently/inconveniently doesn't tell him who \"they\" are before dying.
One thing that definitely hasn't changed from past seasons is the wonderful quippiness of our heroes. From Renard \"not really\" caring about royalty to Bud's remarks about his wife's labor (\"The language is really something you're never gonna forget!\"), there are some great lines in this episode.
I hope that Bitsie Tulloch and the Grimm team pull off an interesting twist here, rather than leaving us utterly disappointed, as they did with her Hexenbiest-ification leading to her one-note villain deterioration last season.
You can also watch the fifth season of Grimm on Amazon Video, but you have to pay for the season pass ($39.99) or $2.99 per episode. New episodes of the series are added to Amazon Video the day after they air on NBC.
So, Season 4 of Grimm was added to Amazon Prime Video on October 1, 2015, which was about a month before the premiere of Season 5. The other seasons were added to streaming services around that time as well, about a month before the next season premiere.
The Reds hit three homers in all, including Marlon Byrd's solo shot, and beat the Cubs at Great American Ball Park for the first time this season. Bruce's drive off Grimm (1-3) put Cincinnati up 5-4 and spoiled manager Joe Maddon's decision to bring him in.
\"GRIMM\" EQUALS ITS 18-49 HIGH SINCE NOV. 6THIS SEASON, \"GRIMM\" IS AVERAGING A +92% LIFT GOING FROM L+SD TO L+7Friday Primetime Results:\"Grimm\" (0.9/3 in 18-49, 4.2 million viewers overall from 9-10 p.m. ET): Equals its highest adult 18-49 rating since Nov. 6 (1.0 with the second \"Grimm\" of the season). Despite last week's preemption and this week's lower-rated encore lead-in, maintains its 0.9 rating in 18-49 for a fourth consecutive telecast. Grows +4% in total viewers versus its prior telecast (4.209 million vs. 4.036 million). Delivers its most-watched telecast since Feb. 5 (4.4 million). Builds on its lead-in by +50% in adults 18-49 and +42% in total viewers (4.2 million vs. 3.0 million). Finishes #2 in the time period among the Big 4 networks in adults 18-49 and most other key measures and ties for #1 in women 18-34. Will increase dramatically from these numbers via time-shifting: The prior \"Grimm\" on Feb. 19 grew by +75% in 18-49 going from L+SD to L+3 (0.92 to 1.61) and 2.2 million persons in total viewers (4.0 million vs. 6.2 million). It was the #4 biggest gain of that Feb. 15-21 week on the Big 4 networks in 18-49 percentage, behind only the +90% for \"The Blacklist\" and the +85% each for \"Shades of Blue\" and ABC's \"How to Get Away With Murder.\" L+7: \"Grimm\" has increased by +92% this season in 18-49 rating going from L+SD to L+7 (from a 0.91 to a 1.75) and more than 2.4 million viewers overall (3.9 million to 6.3 million). Upscale: \"Grimm\" is capturing a strong upscale audience this season, indexing at a 114 among adults 18-49 living in homes with $100K+ incomes (\"most current\" including L+3).\"Dateline NBC\" (0.9/3 in 18-49, 4.7 million viewers overall from 10-11 p.m. ET): Ties for #1 in the time period among ABC, CBS and NBC in adults 18-49 and adults 25-54. Ranks #2 in the hour among those nets ahead of \"20/20\" in total viewers (4.7 million vs. 4.3 million). Maintains 100% of its lead-in adults 18-49 and adults 25-54 (1.5 vs. 1.5) and builds by +13% in women 25-54 (1.7 vs. 1.5) and +11% in total viewers. Will add substantial viewership via time-shifting -- Friday's \"Dateline\" has grown by +29% this season in 18-49 rating (from a 1.05 to a 1.35) and more than 1.0 million viewers overall (4.9 million to 6.0 million) going from L+SD to L+7. Upscale: \"Dateline\" delivers a solid upscale audience, indexing at a 110 among adults 18-49 living in homes with $100K+ incomes.An encore of \"Caught on Camera With Nick Cannon\" averaged a 0.6/2 in 18-49 and 3.0 million viewers overall from 8-9 p.m. ET):In Late-Night Metered Markets Friday Night: In Nielsen's 56 metered markets, household results were: \"The Tonight Show Starring Jimmy Fallon,\" 2.8/7; \"Late Show with Stephen Colbert,\" 1.9/5 with an encore; and ABC's \"Jimmy Kimmel Live,\" 1.8/5 with an encore. In the 25 markets with Local People Meters, adult 18-49 results were: \"The Tonight Show Starring Jimmy Fallon,\" 0.9/4; \"Late Show,\" 0.4/2 with an encore; and \"Jimmy Kimmel Live,\" 0.5/3 with an encore. From 12:35-1:05 a.m. ET, ABC's \"Nightline\" averaged a 1.3/4 in metered-market households and a 0.4/2 in 18-49 in the Local People Meters. From 12:35-1:35 a.m. ET, \"Late Night with Seth Meyers\" (1.3/4 in metered-market households with an encore) beat CBS's \"Late Late Show\" (0.9/3 with an encore). In the 25 markets with Local People Meters, \"Late Night\" (0.5/3 in 18-49 with an encore) topped \"Late Late Show\" (0.2/2 with an encore). At 1:35 a.m., \"Last Call with Carson Daly\" averaged a 0.8/3 in metered-market households with an encore and a 0.3/2 in adults 18-49 in the 25 markets with local people meters.NOTE: Primetime results are based on \"fast affiliate time period\" data from Nielsen Media Research. All ratings are \"live plus same day\" unless otherwise indicated. 781b155fdc